![]() ![]() I’ll keep using both trial versions over the coming weeks to see how they shape up and hope that DxO will quickly bring its support for Fujifilm X-Trans raw files up to par with its support for Bayer raw files. They were made with a 16 megapixel Panasonic Lumix GH4 camera set at 200 ISO with an Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens and they look impressive so far, especially the first photograph in poor light. It does support DeepPRIME XD for Bayer raw files, however, and so I have processed the above three images in it. The most exciting new feature in DxO PhotoLab 6 Elite is its DeepPRIME XD demosaicing and denoising feature but the trial version does not support it for Fujifilm X-Trans raw files. The new features in DxO’s PhotoLab 6 and ViewPoint 4 are intriguing and promising, but I have yet to put them properly to the test. Made with Panasonic Lumix GH4 camera with Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro zoom lens. Photograph © copyright Karin Gottschalk 2022. The lower two images were made at the local café that is about to close down tomorrow. These three images were also all processed with DxO’s new DeepPRIME XD denoising and demosaicing feature, making it difficult to tell which lens was used for which photograph, whether a pro-quality zoom like the M.Zuiko Pro 12-40mm or a consumer-quality zoom like the Lumix G Vario 12-32mm. It’s handy being able to process images photographed with Fujifilm X-Trans and Panasonic Bayer cameras so they have the same rendering of colour and detail regardless of what size sensors they have.Īs camera and lens makers don’t offer the perfect choice of lenses in every camera mount, we often mix and match cameras and lenses from different brands in the same project over time.ĭxO is renowned for profiling combinations of cameras, sensors and lenses and that data goes into its software to enable that in a way we haven’t found with other makers’ raw processing and image editing software. The Digital Films film simulation collection is based on Fujifilm’s own film simulations as used in its Fujifilm X and GFX APS-C and large sensor cameras. We processed all three 16 megapixel Bayer raw image files in DxO PhotoLab Elite 6 with DxO FilmPack Elite 6 and DxO ViewPoint 4 using the Astia film simulation located in Color Rendering/Digital Films/Fuji Astia-Soft. The GH4’s M43 sensor is 16 megapixels and the camera itself has no in-body image stabilisation so a stabilized lens like the 12-32mm with its Mega OIS is useful for making photographs or videos handheld in low available light.įor comparison purposes we made the top photograph outside one local café with the GH4 and Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro while the other two were made with the same camera and the 12-32mm. The local population is much more accustomed to seeing photographers wielding Canon or Nikon DSLRs with big, long zoom lenses so ignores people like us. The 12-32mm zoom lens is small and collapsible so it easily fits into most small camera bags or even coat pockets and it in combination with our GH4, GX8 or other Micro Four Thirds cameras always proves to be almost invisible where we live. We carry at least one camera and lens with us everywhere we go every day and today was no exception with our choice of camera being two oldies but goodies, as they say, a Panasonic Lumix GH4 and Panasonic Lumix G Vario 12-32mm f/3.5-5.6 Aspheric Mega OIS Zoom.
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